Roisin O'Sullivan takes a look at Eve Shepherd's White Exhibition at the Jubilee Library, giving a great insight into feelings and emotions that can be subtly invoked by artwork.
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“I love this exhibition. It feels like home,” remarked Barnaby Simpson, one of the four founders of the now well established Corridor Gallery.
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The first word that comes to mind when visiting Elpida Hadzi-Vasileva’s installation is simply ‘wow’. Visually spectacular yet deeply unnerving, “Fragility” is a magnificent example of recycling i.e. taking a material usually considered waste and re-using it.
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Matt Smith uses Brighton, its gay community and his own experiences as a major influence in his work. He has managed to capture the essence of this community: the fun, humour, sassiness and finally the sexuality of this wonderful city and community by creating piece after piece that subtly reference these emotions but without sacrificing aesthetic or alienating anyone.
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Developed by Australian artists Madeleine Flynn and Tim Humphrey, and working with scientists to explore the water cycle and the challenges surrounding it, Gauge is described as a “playground of investigation”.
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Enticing Rachel Kneebone, an artist who has had solo exhibitions in New York and the White Cube, Bermondsey, shows brilliant ambition by the Festival organisers, and they must be applauded.
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